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Homosexuality in Art
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Index

  • Homosexuality in Art

  • (1)
  • (2)
  • (3)
  • (4)
  • (5)
  • Introduction
  • Introduction (1)
  • Introduction (2)
  • Introduction (3)
  • Introduction (4)
  • Introduction (5)
  • Chapter 1. Homosexuality in Western Antiquity (from Ancient Greece to the Roman Empire)
  • Chapter 1. Homosexuality in Western Antiquity (from Ancient Greece to the Roman Empire) (1)
  • Chapter 1. Homosexuality in Western Antiquity (from Ancient Greece to the Roman Empire) (2)
  • Chapter 1. Homosexuality in Western Antiquity (from Ancient Greece to the Roman Empire) (3)
  • Chapter 1. Homosexuality in Western Antiquity (from Ancient Greece to the Roman Empire) (4)
  •     Comrades in Arms and the Body Beautiful
  • Comrades in Arms and the Body Beautiful (1)
  • Comrades in Arms and the Body Beautiful (2)
  • Comrades in Arms and the Body Beautiful (3)
  • Comrades in Arms and the Body Beautiful (4)
  • Comrades in Arms and the Body Beautiful (5)
  • Comrades in Arms and the Body Beautiful (6)
  •     The Hellenistic Period: The Age of Dionysos
  • The Hellenistic Period: The Age of Dionysos (1)
  • The Hellenistic Period: The Age of Dionysos (2)
  • The Hellenistic Period: The Age of Dionysos (3)
  • The Hellenistic Period: The Age of Dionysos (4)
  •     Greek Influence Abroad
  •     The Disenchantments of Sappho
  • The Disenchantments of Sappho (1)
  • The Disenchantments of Sappho (2)
  • The Disenchantments of Sappho (3)
  • The Disenchantments of Sappho (4)
  •     Rome from Republic to Empire
  • Rome from Republic to Empire (1)
  • Rome from Republic to Empire (2)
  • Rome from Republic to Empire (3)
  •     Pompeii
  • Pompeii (1)
  • Pompeii (2)
  • Pompeii (3)
  • Pompeii (4)
  • Pompeii (5)
  • Pompeii (6)
  • Chapter 2. Homosexuality in the Middle Ages
  • Chapter 2. Homosexuality in the Middle Ages (1)
  • Chapter 2. Homosexuality in the Middle Ages (2)
  • Chapter 2. Homosexuality in the Middle Ages (3)
  •     The Unspeakable Vice
  •     Fire and Brimstone
  •     Sacred Pairings in the Byzantine World
  • Sacred Pairings in the Byzantine World (1)
  •     The Romanesque Period (1000–1200)
  •     Intolerance and Repression (1200–1400)
  •     David and Jonathan
  • The Romanesque Period (1000–1200) (1)
  •     Moralizing Manuscripts
  •     Descent into the Inferno
  •     The Late Middle Ages
  • Moralizing Manuscripts (1)
  • Moralizing Manuscripts (2)
  •     Female Homosexuality in the Middle Ages
  • Female Homosexuality in the Middle Ages (1)
  • Female Homosexuality in the Middle Ages (2)
  • Female Homosexuality in the Middle Ages (3)
  • Female Homosexuality in the Middle Ages (4)
  • Female Homosexuality in the Middle Ages (5)
  • Female Homosexuality in the Middle Ages (6)
  • Chapter 3. Homosexuality in the Italian Renaissance
  • Chapter 3. Homosexuality in the Italian Renaissance (1)
  • Chapter 3. Homosexuality in the Italian Renaissance (2)
  •     Leonardo da Vinci (1452–1519)
  • Leonardo da Vinci (1452–1519) (1)
  • Leonardo da Vinci (1452–1519) (2)
  •     Michelangelo Buonarroti (1475–1564)
  • Michelangelo Buonarroti (1475–1564) (1)
  • Michelangelo Buonarroti (1475–1564) (2)
  • Michelangelo Buonarroti (1475–1564) (3)
  • Michelangelo Buonarroti (1475–1564) (4)
  • Michelangelo Buonarroti (1475–1564) (5)
  • Michelangelo Buonarroti (1475–1564) (6)
  • Michelangelo Buonarroti (1475–1564) (7)
  •     Benvenuto Cellini (1500–1571)
  •     The Northern Renaissance
  • The Northern Renaissance (1)
  •     The Later Italian Renaissance
  • The Later Italian Renaissance (1)
  •     The Baroque Period
  • The Baroque Period (1)
  • The Baroque Period (2)
  •     Female Homosexuality in the Renaissance
  • Female Homosexuality in the Renaissance (1)
  • Female Homosexuality in the Renaissance (2)
  • Female Homosexuality in the Renaissance (3)
  • Chapter 4. Homosexuality in the Art of The Non-Western World (Asia and Islam)
  • Chapter 4. Homosexuality in the Art of The Non-Western World (Asia and Islam) (1)
  •     India
  • India (1)
  • India (2)
  •     China
  • China (1)
  • China (2)
  • China (3)
  • China (4)
  • China (5)
  • China (6)
  • China (7)
  • China (8)
  • China (9)
  •     Japan
  • Japan (1)
  • Japan (2)
  • Japan (3)
  • Japan (4)
  • Japan (5)
  • Japan (6)
  • Japan (7)
  •     Islam
  • Islam (1)
  • Islam (2)
  • Islam (3)
  • Chapter 5. 1700–1900: Towards A Homosexual Identity
  • Chapter 5. 1700–1900: Towards A Homosexual Identity (1)
  • Chapter 5. 1700–1900: Towards A Homosexual Identity (2)
  • Chapter 5. 1700–1900: Towards A Homosexual Identity (3)
  • Chapter 5. 1700–1900: Towards A Homosexual Identity (4)
  •     Libertines and libertinism
  • Libertines and libertinism (1)
  • Libertines and libertinism (2)
  • Libertines and libertinism (3)
  • Libertines and libertinism (4)
  • Libertines and libertinism (5)
  • Libertines and libertinism (6)
  • Libertines and libertinism (7)
  • Libertines and libertinism (8)
  • Libertines and libertinism (9)
  • Libertines and libertinism (10)
  •     Neoclassicism and Romanticism
  • Neoclassicism and Romanticism (1)
  • Neoclassicism and Romanticism (2)
  • Neoclassicism and Romanticism (3)
  • Neoclassicism and Romanticism (4)
  • Neoclassicism and Romanticism (5)
  • Neoclassicism and Romanticism (6)
  • Neoclassicism and Romanticism (7)
  • Neoclassicism and Romanticism (8)
  •     Realism
  • Realism (1)
  • Realism (2)
  • Realism (3)
  • Realism (4)
  • Realism (5)
  • Symbolism and the Leap of Imagination
  • Symbolism and the Leap of Imagination (1)
  •     From Aestheticism to Sexology
  • From Aestheticism to Sexology (1)
  • Chapter 6. Homosexuality in the Art of Modernism and Postmodernism (1900–2000)
  • Chapter 6. Homosexuality in the Art of Modernism and Postmodernism (1900–2000) (1)
  • Chapter 6. Homosexuality in the Art of Modernism and Postmodernism (1900–2000) (2)
  • Chapter 6. Homosexuality in the Art of Modernism and Postmodernism (1900–2000) (3)
  • Sappho on the Left Bank
  • Sappho on the Left Bank (1)
  • Sappho on the Left Bank (2)
  • Sappho on the Left Bank (3)
  • Sappho on the Left Bank (4)
  • Sappho on the Left Bank (5)
  • Sappho on the Left Bank (6)
  • Sappho on the Left Bank (7)
  • Sappho on the Left Bank (8)
  • Sappho on the Left Bank (9)
  • Sappho on the Left Bank (10)
  • Sappho on the Left Bank (11)
  • Sappho on the Left Bank (12)
  • Sappho on the Left Bank (13)
  • Sappho on the Left Bank (14)
  • Sappho on the Left Bank (15)
  • Sappho on the Left Bank (16)
  • Sappho on the Left Bank (17)
  • Sappho on the Left Bank (18)
  • Sappho on the Left Bank (19)
  • Sappho on the Left Bank (20)
  • Sappho on the Left Bank (21)
  • Sappho on the Left Bank (22)
  • Sappho on the Left Bank (23)
  • Sappho on the Left Bank (24)
  • Sappho on the Left Bank (25)
  • Sappho on the Left Bank (26)
  • Sappho on the Left Bank (27)
  • Sappho on the Left Bank (28)
  • Sappho on the Left Bank (29)
  • Sappho on the Left Bank (30)
  • Sappho on the Left Bank (31)
  • Sappho on the Left Bank (32)
  • Sappho on the Left Bank (33)
  • Sappho on the Left Bank (34)
  • Sappho on the Left Bank (35)
  • Sappho on the Left Bank (36)
  • Sappho on the Left Bank (37)
  • Sappho on the Left Bank (38)
  •     II. From Stonewall to Postmodernism (post-1969)
  • II. From Stonewall to Postmodernism (post-1969) (1)
  • II. From Stonewall to Postmodernism (post-1969) (2)
  • II. From Stonewall to Postmodernism (post-1969) (3)
  • II. From Stonewall to Postmodernism (post-1969) (4)
  • II. From Stonewall to Postmodernism (post-1969) (5)
  • II. From Stonewall to Postmodernism (post-1969) (6)
  • II. From Stonewall to Postmodernism (post-1969) (7)
  • II. From Stonewall to Postmodernism (post-1969) (8)
  • II. From Stonewall to Postmodernism (post-1969) (9)
  • II. From Stonewall to Postmodernism (post-1969) (10)
  • II. From Stonewall to Postmodernism (post-1969) (11)
  • II. From Stonewall to Postmodernism (post-1969) (12)
  • II. From Stonewall to Postmodernism (post-1969) (13)
  • II. From Stonewall to Postmodernism (post-1969) (14)
  • II. From Stonewall to Postmodernism (post-1969) (15)
  • II. From Stonewall to Postmodernism (post-1969) (16)
  • II. From Stonewall to Postmodernism (post-1969) (17)
  • Conclusion
  • Bibliography
  • Index
  • List of illustrations



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Homosexuality in Art · Chapter 1. Homosexuality in Western Antiquity (from Ancient Greece to the Roman Empire)